Recently the hashtag #WeNeedDiverseBooks has been all over twitter and the blogoshere. I’ve loved hearing and seeing the amazing requests for books and covers to reflect all the lives and faces of readers. I’ve also found the surrounding blog posts extremely interesting. They have often insightfully commented on the speed bumps we put in our own path to making change. But today I’m talking about something a little bit different. #WeNeedDiverseCritsOnOurManscripts
Not exactly the same thing, but as a writer, also pretty important.
It doesn’t matter if you’re an unpublished newbie or the author of multiple successful books. At some point, you need to have eyes other than your own on your manuscript. Of course, if you’re John Green or Veronica Roth, you’ve probably got some very eager and talented higher-ups in publishing who are willing to give feedback. But I would also imagine they have a secret stash of trusted people who will give them honest feedback on their work. And I would hazard a guess, that while those special people may not all be in publishing, they are intelligent readers who bring special insight to the table. This diversity is really important.
I very recently finished up a draft of a project to send to my agent. Because this project is a little different than what I’ve previously worked on, I really needed to have a wide swath of readers to give me feedback before I sent it for it’s first date with my agent. I don’t want to give away too much about my shiny new project. *hugs project protectively* But I have to tell you, despite having close to a dozen pairs of diverse eyes looking it over, I received very little overlapping advice on how to tighten the story. And even better, most of the suggestions were excellent and incorporated. The readers who gave me critiques saw my work with unique filters and now my writing is richer because of their vision.
Here are some general suggestions for finding diverse critiques for your writing. Since I write for kids, I’m gearing my advice to similar writers, but I think you can effectively extrapolate on the idea if you write outside of kid lit. Also keep in mind that too much advice can make you crazy. Pick your readers wisely. You should also be aware of your inner compass–be prepared to pass over advice that does’t resonate with you. Know your own voice and stick with it. But just as important, be open to trying something that doesn’t initially feel comfortable. You can always return to the original. Here are some of my suggestions for getting diversity into your critiques…
*Find someone who represents your target audience. They don’t have to be a writer–just a reader. How do they organically respond to your writing. Do they emote in the correct places? Do they get confused? Do they dislike a character they are supposed to be rooting for?
*Find someone who teaches your target audience. They know your target audience intimately, but they bring a unique perspective. Is the reading level too high? Is the topic one that kids are looking for more information on? Is your dialogue completely outdated?
*Find a children’s librarian. They know what is being checked out and read over and over again. They may also be able to help you find readers in your target audience if you are having trouble with that.
*Find a parent of a child in your target audience that takes an avid interest in their children’s reading. (This is less important with teens, but can be an interesting perspective) For younger kids, it is often the parent who is doing the reading. Will a parent want to read this book over and over again with their child? And not that you always care whether they do or not (sorry parents–ultimately we write for kids) but do the parents want to ban your book? It’s never bad to know what you’re up against.
*Find an expert that compliments your subject matter. Writing historical fiction? Writing about a medical issue? Writing about a unique location? Have someone look your manuscript over who is knowledgable in the area you are writing about.
*Find someone who has great editorial skills. It’s fabulous if you can find a crit partner that knows spelling, grammar and the proper way to set up a manuscript for submission. Especially if this is an area you are weak in. *coughs*
*Find a friend who understands your emotional personality. We write with our hearts and that’s a good thing. It is a bonus to have a reader that is keyed into the deeper threads of your story. You need someone who can point out the places where those threads are seamlessly woven and on the other hand, where you’ve gotten yourself into a knot.
*Find fresh eyes. Sometimes, no matter how lovely and talented the above critique partners are, you need fresh eyes. When someone has gone over multiple drafts of your project, they can provide a lot of amazing feedback, BUT they can also get too close to the work. They may forget that they know something only because it was in a previous draft of your writing. They are familiar–too familiar with the story. Sometimes their knowledge of your manuscript can taint their response to it. At this point, it’s always nice to get a fresh pair of well rounded eyes to look over your writing with no preconceived notions.
Did I miss any? Do you have any other recommendations for utilizing diverse crit partners for your manuscript? Please share. Or if you have any questions, fire away!
And remember–it takes time to go through all those notes you get back from a critique. But it also takes time for someone to read your work and write you those notes. Not every person can drop everything to attack your MS in a pinch. Know your timeline and never forget to return the favor. Thoughtful critiquing makes you a better writer and a much more awesome human being. :o)
